Author Alicia NicolePoet · Author · Cultural Architect
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Press Kit

Facts, bios, and assets for media, booksellers, podcasters, and event planners. Everything on this page may be quoted.

Booking & speaking

Alicia Nicole brings emotionally grounded keynotes, poetry performances, literary readings & conversations, and healing-centered workshops to stages, classrooms, women’s circles, and gatherings. If you’d like this voice in your room, tell her about your event below and she’ll follow up personally.

  • Motivational & keynote speaking
  • Live poetry performances
  • Literary readings & conversations
  • Healing-centered workshops
  • Women’s circles & educational events

Prefer email? Write bookings@authoran.com — or see the full speaking page.

Fast facts

  • Name: Alicia Nicole, writing as Author Alicia Nicole
  • Roles: Poet · Author · Cultural Architect
  • Official sites: authoran.com · authoralicianicole.com
  • Novel: Where Do Black Girls Go To Cry? — Author’s Cut, Second Edition · ISBN 979-8-9946155-1-5 · published February 4, 2026 · $19.20 / signed $24.99
  • Children’s book: Good Night, I Love You. See You in the Morning. · $12.99 / signed collector’s $15.99
  • Essay: The Names They Gave Us Were Never the Whole Truth — free at authoran.com/the-names-they-gave-us (~31-minute read)
  • Spoken poetry: ten pieces at authoran.com/listen
  • Contact: hello@authoran.com · bookings: bookings@authoran.com

One-line bio

Alicia Nicole is a poet, author, and cultural architect whose work gives language to Black womanhood, healing, and the interior life.

Short bio

Alicia Nicole — writing as Author Alicia Nicole — is a poet, author, and cultural architect. She is the author of Where Do Black Girls Go To Cry?, the Author’s Cut novel — drawn from lived experience — about parking lots, psychiatric wards, and what comes after surviving, and the bedtime series Good Night, I Love You. See You in the Morning., written for children and the adults who tuck them in. Her current collection, Program Override | Noble Victory, pairs poetry with historical translation; its centerpiece essay, The Names They Gave Us Were Never the Whole Truth, traces her own family line through six verified generations — from a woman born enslaved around 1842 to a 1714 colonial land patent — using the Freedmen’s Bureau contract, land patents, and census records her twenty-plus years of research uncovered. A student of African American Studies and a lifelong family archivist, Alicia writes for every reader who was told her silence was her strength.

Assets

Interview topics

  • Where DO Black girls go to cry? — emotional honesty, survival, and healing
  • Tracing an American family through slavery-era paperwork: the receipts are sacred
  • Paper genocide: how the 1924 Racial Integrity Act rewrote identities with a pen
  • Self-publishing and owning your platform as a Black woman author
  • Writing bedtime ritual: why goodnight books matter